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Rajaram notices the ticket checker as he enters his compartment with Madhu and his other family. After Rajaram refuses to meet with the producer, the editor instructs him to write for him under the pen name Mastram. Mastram’s editor is approached by a producer who wants to meet Mastram’s first three characters. A mutual friend of Madhu and Rajaram, who had been looking for Rajaram to tell him about Madhu and her plan, finally meets Rajaram after Rajaram has left Madhu’s friend’s house, and after learning that Rajaram has passed the test without knowledge of Madhu’s plan, tells Rajaram the truth, which upsets Rajaram, and they apologise to each other for their previous actions. As a result, Mastram’s personal and romantic life suffers.Īt Madhu’s friend’s house, both of her friends attempted to seduce Rajaram, but Rajaram walks away with the erotic story and its characters in his head. During Indulekha’s explanation of the problem, a photographer snapped a photo and published it in the newspaper. The deal is done as long as Indulekha promises to keep Rajaram’s identity hidden. When Rajaram meets Indulekha as a fan and Mastram’s friend, she recognises him as Mastram. Rajaram is in charge of both his erotica and his love life. Rajaram agreed to marry Madhu that night after explaining the situation to her. Rajaram’s third-floor storey “mallu aunty ka malmal” is based on his next-door neighbor’s sex life. This is the inspiration for his second storey, “Master Ji Ka Danda.” When his marriage to Madhu is finalised, his mother’s uncle attempts to derail it by playing a prank on him. During a conversation with a friend, he revealed that he had sex with a beautiful instructor named Rita and that Danda beat him for it. While looking for the next character, he fell head over heels for a college girl named Madhu. Rani, who had tried to flirt and seduce him the day before, is the first character he creates for the storey in his head, “Khali bus ka suhana safar,” in which he and Rani had sex and had a great time… The editor enjoys the storey and compensates the narrator for it. He decides to jot down the stories he’s been thinking about from his past experiences while riding the bus home. As he exits the theatre, a disgusted Rajaram is told by a friend that this is what the audience wants.

His friend takes him to a seedy theatre and introduces him to soft porn for the first time in his virtuous life. During the 1980s, Rajaram, an aspiring author, lives in a lonely valley and writes a book that critics find boring.